b. 1991, living and working intermittently.
I work within and between various methods of image-making, employing tactics of manipulation, reproduction and obfuscation.
My work considers the potential for alterity in images, materials and means of creation that are variously maligned, arcane, surreptitious or shoddy.
I am interested in a visual vocabulary that gestures towards domestic, nocturnal or interstitial spaces: sites in which the boundaries between public and private, legibility and interiority can be transversed.