I work within and between various methods of image-making, employing tactics of manipulation, reproduction and obfuscation to complicate the act of looking.
My work considers the potential for alterity in images, materials and means of creation that are variously maligned, arcane, surreptitious or shoddy.
I am interested in a visual vocabulary that gestures towards domestic, nocturnal or interstitial spaces: sites in which the boundaries between public and private, legibility and interiority can be transversed.